Authenticity and happiness
tensions between two contemporary cultural imperatives
DOI:
https://doi.org/10.1590/1809-58442022201ptKeywords:
Happiness, Authenticity, Subjectivity, Spectacularization, Contemporary cultural practicesAbstract
Reflecting on the characteristics that saturate the subjects of our time, this article seeks to question authenticity and happiness as cultural imperatives. It seeks as well to perceive its connection with cultural practices and its consequences in the process of producing contemporary subjectivities, considering how these ideals can be perceived in the logic of spectacularization. Therefore, this article briefly goes through the economic, socio-cultural and political processes that were the foundation of contemporary subjectivity. Then, it seeks to define the concepts of happiness and authenticity, establishing, along this path, why and how they constitute social obligations. Finally, the spectacularization of life is argued as a consequence of those cultural imperatives and the way in which they are conducted in postmodern western societies.
Published
Issue
Section
License
Copyright (c) 2022 Intercom: Revista Brasileira de Ciências da Comunicação

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright and Licensing PolicyRevista Intercom operates under an Open Access model. All journal content, including published articles, is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0), unless otherwise noted.
- Copyright: Authors retain unrestricted copyright and full publishing rights to their work without restrictions.
- License to Publish: Authors grant Revista Intercom the right of first publication. Concurrently, the work is licensed under CC BY 4.0, which permits sharing, copying, distributing, displaying, and creating derivative works, provided the original work is properly cited and ownership is acknowledged.
- Self-Archiving: Authors are permitted and encouraged to deposit the published version of their articles (Version of Record) in institutional or thematic repositories immediately upon publication.