Cercados, the documentary: between facts and lies, between press and speeches
DOI:
https://doi.org/10.1590/1809-58442022118ptKeywords:
Cercados, Enunciation, televisualities, Documentary, JournalismAbstract
In the context of the Covid-19 pandemic in Brazil, the clash and resistance of the press in the face of attacks and aggressions carried out by denialists was evident. The documentary Cercados, produced by Globoplay, object of analysis of this work, portrays the behind-the-scenes challenges of journalistic coverage in the first year of Covid-19 in Brazil. Supported by concepts of enunciation theory and television studies, the objective is to reflect on the effects of meaning produced by the audiovisual text and its contribution to critical reflection on the scenario of disinformation, as well as the relevance of journalism as an institution of the democratic system. The results indicate that the organization of discourse, marked by the aesthetics of self-referentiality, allows the enunciatee to enter the universe of journalistic production and identify with the thematic roles played by journalists.
Published
Issue
Section
License
Copyright (c) 2022 Intercom: Revista Brasileira de Ciências da Comunicação

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright and Licensing PolicyRevista Intercom operates under an Open Access model. All journal content, including published articles, is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0), unless otherwise noted.
- Copyright: Authors retain unrestricted copyright and full publishing rights to their work without restrictions.
- License to Publish: Authors grant Revista Intercom the right of first publication. Concurrently, the work is licensed under CC BY 4.0, which permits sharing, copying, distributing, displaying, and creating derivative works, provided the original work is properly cited and ownership is acknowledged.
- Self-Archiving: Authors are permitted and encouraged to deposit the published version of their articles (Version of Record) in institutional or thematic repositories immediately upon publication.